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Wilfride Piollet (28 April 1943 – 20 January 2015) was a French prima ballerina and choreographer. She was born in Saint-Rambert-d'Albon. Her philosophy of dance and her research led to the publication of several books. ==Biography== Wilfride Piollet attended the Paris Opera Ballet School in 1955 and was integrated into the ''corps de ballet'' of the Paris Opera Ballet five years later. By 1969, she was named Danseuse Etoile, and in 1983, she left. She began teaching at the Conservatoire de Paris in 1989.〔(【引用サイトリンク】url=http://www.idancedb.com/file.php5?id=70778 )〕 She is married to Jean Guizerix. Main teachers : *Ballet : Lioubov Egorova, Marguerite Guillaumin, Vera Volkova, Yves Brieux, Serge Perrault, Serge Peretti *Jazz : Gene Robinson *Mime : Georges Wague *Piano : Marguerite Long Maurice Béjart gave her her first soloist role in ''Noces'' in 1965. She was promoted to the rank of Principal dancer in Harald Lander’s ''Etudes'' in 1969. She performed at the Paris Opera and throughout the world the leading roles of the classical repertory (''Giselle'', ''Swan Lake'', ''Sleeping Beauty'', ''Coppelia''…) with amongst others, Rudolf Nureyev, Cyril Atanassoff, and Fernando Bujones. Interested in contemporary creations of Merce Cunningham, Lucinda Childs, Douglas Dunn, Andy Degroat, Félix Blaska, Dominique Bagouet and Daniel Larrieu, she formed a duet on stage and in everyday life with her husband Jean Guizerix . She also danced the neoclassical works of Georges Balanchine (''Agon''…), Jerome Robbins (''En sol''…), Serge Lifar (''Suite en Blanc''…) and Roland Petit (''Notre-Dame de Paris''…). From 1977 onwards, she choreographed her own pieces such as ''The Wooden Prince'', ''Eight Hungarian Dances'', ''Fox'', ''Lettera amorosa'', ''Dam’Oisel'', ''Momerie'', ''Figurative Ballet'', ''Penthésilée'', and ''The Conspiracy''. In 1986, she danced in the Baroque creation ''Atys'' of Francine Lancelot. Between 1986 and 2003 she ran with Jean Guizerix the Piollet-Guizerix company presenting choreographies like ''Gondolages'', ''Giselle échappée'', ''L’éléphant et les faons'', ''Tierce galante''... From 1989 to 2008, she taught her pioneering training method and Ballet repertory at the Conservatoire national supérieur de musique et de danse de Paris (CNSMDP). She made a books serie for children and their teachers called ''Les gestes de Lilou''. In 2008 it was uploaded online and published in 2012 by Clef de Sole, her association. From 1990 onwards, she started to recreate some standards of the Ballet repertory (''Coppélia''...) and to carry on her choreographic practice in different shapes and forms: ''Le petit Atelier'', ''Romance'', ''L'Amour médecin'' (2005) for the Comédie-Française, and ''Anonymes'' (2006), for the National School of Circus Art ( l'Ecole Nationale des Arts du Cirque) at Rosny-sous-bois. After 2009, she is worked with the Strasbourg Conservatoire (conservatoire à rayonnement régional de Strasbourg) (commissioned works, conferences, pedagogy). 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Wilfride Piollet」の詳細全文を読む スポンサード リンク
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